Only 47 movies left to go! Since last I wrote I’ve seen 28 Weeks Later (about as good as the first), Matchstick Men (great acting but I figured out the ending and it was an ending I was hoping against), Pirate of the Caribbean 2 (only good for the action/fx), The Black Cauldron, Catch Me If You Can (good!), The Hard Way, Heat, Sin City (Terrible! I actually couldn’t watch it all the way through so I guess technically it doesn’t count) and Invasion of the Body Snatchers. Also Bloodsuckers – the intergalactic vampire hunters TV movie that has a Thickets song in it during a space battle. I’ve had the DVD that a loyal fan made me for well over a year, but I finally got around to watching it.
55 Movies to Go
Watched YANKEE DOODLE DANDY last night. More a series of musical numbers than a movie. And dull! Also watched CATCH ME IF YOU CAN which was pretty good.
Here’s my “movies to see” list these days.
25th Hour (2002 Norton/Hoffman)
Always Outnumbered 1998
Anima Mundi 1991 28 minutes Godfrey Reggio documentary 7.8
Barry Lyndon 1975 Historical Drama/Romance/War Dir: Kubric 7.8
Begotten 1991 Fantasy (B&W)5.8
Born into Brothels 2004
Breaker Morant 1980
Capote
Careful 1992 (Guy Madden) 7.8
Carnival of Souls (Herk Harvey, not Wes Craven)
Close-Up 1976 Documentary/Short (France)
Dogville (2003) lars von trier/chloe sevigny
Down by Law 1986 Comedy/Drama Tom Waits 7.5 NAR
Evidence 1995 8 minute documentary Reggio 8.3
Fiddler on the Roof 1971 Musical 7.4
First Men on the Moon 1999 Sci-Fi
Gia 1998 Drama Angelina Jolie (TV) 7.2
George Washington 2000 Drama (VIFF) 7.2
The God Who Wasn’t There docu 2005 7.2
Grey Gardens (docu)
Horror Express 1972 Horror/Mystery/Sci-Fi 6.0
King Leopolds Ghost (doc)
Leolo 1992 Comedy/Drama (Canada/France) 7.1
Living in Oblivion 1995 Comedy Steve Buscemi 7.4
Luzhin Defence 2000 Drama/Romance Turturro 7.5
Marjoe (1972)
Manhattan 1979 Woody Allen 8.2
Manufacturing Consent: Noam Chomsky 1992 7.9
May (Denmark) 2002
Naked Man 1998 Comedy/Drama Ethan Coen 5.7
Natural History of the Chicken 2000 7.0 documentary
Next of Kin 1984 Dir: Atom Agoyan (Canadian) 7.0
Opportunists, The 2000 Walken 6.2
One Day in September 1999 documentary 8.0
Paradise Lost: Child Murders 1996 Documentary 8.4
The Party Peter Sellers
Pennies from Heaven (Steve Martin)
Planet of the Vampires (Terrore nello spazio) Mario Bava) 1965 6.4
Salesman (docu) 1969 8.2
The Savages 2007
The Score 2001 Crime/Drama/Thriller De Niro, Norton 7.0
Secret Adventures of Tom Thumb 1993 Animation/Sci-Fi 6.9
Secretary 2002 7.3
Seksmisja (Sexmission) 1984 sci-fi 7.4
Session 9 2001 Thriller/Horror 5.8
Sex: The Annabel Chong Story 1999 Documentary 5.9
Shifter (VIFF New Zealand)
Singing Detective 1986 (mini)
Somebody to Love 1994 Drama Buscemi/Tucci 5.0
Source, The 1999 Documentary Turturro 7.4
State and Main (Mamet) 2000 7.1 Hoffman
Tales from the Gimli Hospital 1988 horror 7.4
Talk to Her 2002
Thin Blue Line 1988 documentary 8.1
Towering Inferno 1974 Paul Newman, Faye Dunaway 6.3
Valley of Gwangi (scifi western)
Vanishing 88 original
Walkabout (Nicolas Roeg, 1971)
Way of the Gun
CLASSIC
Adam’s Rib 1949 Tracy/Hepburn 7.6
Ball of Fire 1941 Comedy/Romance Gary Cooper 7.8
Ben-Hur 1959 Action/Drama 8.1
Best Years of Our Lives 1946 Drama/War 8.4
Breakfast at Tiffany’s 1961 Audrey Hepburn 7.7
Charade 1963 cary grant & hepburn 8.1
Campanadas a medianoche/chimes at midnight orson welles 8.4 hist/com
Dark Intruder 1965 Horror/Mystery Leslie Nielsen 7.0
Fail-Safe 1964 7.8
Greed 1925 Drama 8.5
High Noon 1952 Thriller/Western Gary Cooper 8.3
His Girl Friday 1940
Hobson’s Choice 1954 drama 7.9
Intolerance 1916 Drama 8.3
Invaders from Mars 1953 Sci-Fi 6.3
IT! Terror from Beyond Space 1958 Horror/Sci-Fi 5.2
Kind Hearts and Coronets Alec Guinness 1949 com 8.2
Lady Vanishes (hitchcock) 1938 8
Lavender Hill Mob, The 1951 Comedy/Crime Hepburn,
Life and Death of Colonel Blimp 1943
Laura 1944 Film-Noir/Mystery (B&W) 8.2
Letter From an Unknown Woman 1948 Drama (B&W) 8.0
Lion in Winter 68 drama/historic 8.1
Louisiana Story 1948 Documentary (B&W) 8.1
M 1931 Crime/Thriller 8.7
Matter of Life and Death 1946 Fantasy/rom
Man Who Shot Liberty Valance 1962 western
Matewan 1987 drama 7.6
Midnight Cowboy 1969 Drama Dustin Hoffman 7.9
Mister Roberts 1955 comedy 8.0
On the Threshold of Space 1956 Drama 7.5
Paths of Glory 1957 Drama/War Kirk Douglas 8.7
Pit and the Pendulum, The 1961 Horror 6.7
Porgy and Bess 1959 drama 8.1
Rat Pfink a Boo Boo 1965 Comedy/Action/Thriller 3.1
Rebecca 1940 hitchcock 8.3
Room at the top 1959 8.1
Sabrina Audrey Hepburn 50’s 7.6
Searchers, The 1956 Western John Wayne 8.3
Some Like it Hot (lemmon) 1959 8.5
Strangers on a Train (hitchcock) 1951 8.1
Sullivan’s Travels!!!! 1942 Comedy 8.4
Sunrise 1927 Drama/Romance B&W 8.5
Sunset Blvd. (1950 8.6
They Shoot Horses, Don’t They? 1969 Jane Fonda 7.5
To Be or Not to Be , Jack Benny 1942 8.3
Trouble in Paradise 1932 Comedy/Romance 8.4
World Without End 1956 Sci-Fi 5.5
FOREIGN
The 400 Blows (François Truffaut, 1959
Abra Los Ojos (Open Your Eyes) 1997 8.1
Aguirre: The Wrath of God 1972 Adventure 8.0
Alphaville
Attack the Gas Station aka Juyuso seubgyuksageun
1999 Comedy (VIFF South Korea) 7.9
Amarcord 1974 Comedy/Foreign (Italian) Dir. Fellini 8.1
An Autumn Afternoon aka Sanma No Aji 1964 8.3
Avventura è l’avventura, L’ 1972? Adv/Com (France/Italy)
Atanarjuat,The Fast Runner 2001 Canada Inuit 7.6
Battleship Potemkin 1925
Drama/War/Foreign (Soviet Union B&W Silent) 8.4
Belle noiseuse, La 1991 Drama/Foreign (French) 7.5
Betty Blue/372 Le Matin 1986 Comedy/Drama/Foreign (French) 7.0
Bicycle Thief aka Ladri di biciclette 1948 Drama/Foreign (Italian) 8.6
Bride with White Hair (pramas)
Brighter Summer Day, A aka Guling jie shaonian sha ren shijian 1991 (Taiwan) 6.8
Burning Paradise 94 (pramas)
Burnt by the Sun 7.5 1994
Cabaret Balkan (Bure Baruta, 1998 Yugoslavian) (Serbo-Croatian) 7.1
Children of Heaven (Iran) (Bacheha-Ye aseman) 1997 7.4
Dersu Uzala 1974 Adv/Dra Akira Kurosawa 8.1
Discrete Charm of the Bourgeoisie, The 1972 Com (French) 8.1
Diva 1996 Animation (Portugal)
Dragon Gate Inn (pramas)
Drifting Clouds aka Kauas pilvet karkaavat 1996 Com (Finland) 7.5
Elephant 2003 Gus van Sant
Gui da gui/Encounters of the Spooky Kind 1980 wuxia 7.3
Europa Europa 1990
Festen 1998 aka The Celebration 1998 (Denmark) 8.4
Filantropica 9.0 comedy
Flowers of Shanghai 1998 (Taiwan) 7.8
Friend (vff 2001 selection, south korea)
The goddess of 1967 (angela)
Gojoe senki 2000 Action/Foreign (Japan VIFF) 7.0
Good Morning (Yasujiro Ozu, 1959)
Goya in Bordeaux 1999 Drama/Foreign (VIFF, spain) 6.1
Hana-bi /Fireworks 1997 Com/Crime/Thriller (Japanese) Kitano 7.7
Hidden Fortress 1958 Kurosawa 7.8
Ikiru (Akira Kurosawa, 1952
In praise of love (eloge de l’amour) (angela)
Indochine 1992 Drama/Romance (French?) 6.9
Insomnia 1997 Thriller/Foreign (Norwegian) 7.0
Intacto 2001 (italian) 7.3 VIFF
Irréversible 2002 french VIFF 7.1
Kandahar/ Safar e Ghandehar
2001 Iran/France
Kin-Dza-Dza 8.7 russian sci fi com
Kings of the Road / Im Lauf der Zeit 1976 (Germany B&W) 8.3
L’eau Froide 1994 Foreign/Drama ??
Moment of Innocence aka Nun va Goldoon 1996 foreign 8.4
Mimi wo sumaseba aka Whisper of the Heart 1995 ghibli (Japanese) 8.9
Mr Vampire 1985 7.5
My Sassy Girl/Yeopgijeogin geunyeo, rom/com South Korea 2001 8.4
Nouvelle vague 1990 Drama (French) 6.9
No Man’s Land (Bosnia) 2001 8.1
Nuovo cinema Paradiso (aka Cinema Paradiso) (1989 8.3
Ohayo (Good Morning) Japan 1959 8.2
Oldboy (Korean) 8.6
Once Upon a Time in the West /C’era una volta il West 1969 Henry Fonda (Italian) 8.6
Our Lady of the Assassins (angela)
Persona aka Kinematografi 1966 Drama (Swedish) 8.2
Princess and the Warrior 2000 Germany
Raise the Red Lantern / Da hong deng long gao gao gua 1991
Ran 1985 Drama/War (Japanese) 8.4
Rules of the Game (French) 1939 8.2
Sanjuro 1962 Action/Adv (Japan B&W) Dir: Kurosawa 8.0
Sanshô dayû aka Sansho the Bailiff 1954 Drama/Foreign (Japan) 9.4!!!
Santa Sangre 1989 7.0
Sátántangó 1994 Drama/Foreign (Hungarian) 6.9
Sonatine 1993 Action/Drama/Crime (Japan) 7.5
Subway 1985 Crim/Rom/Thril/Foreign (French) Dir:Luc Besson 6.3
Swordsman II (1992 Jet Li) 7.3
Tai chi master (1993) Jet Li 7.0
Tampopo (1985) 7.6
Tender Place (2001 vff selection japan)
A time for drunken horses 2000 7.5
Ikiru/To Live! (china 1952 8.1)
Tokyo Drifter 1966 7.3
Tokyo Olympiad (Kon Ichikawa, 1965
Tokyo Story aka Tokyo monogatari 1953 8.3
Tosun Pasa 9.1 Turkish comedy
Town is Quiet (La Ville est Tranquille) 2000 8.0
Triumph of the Will (nazi propaganda film) 1935 7.4
Ugetsu Monogatari 1953 8.4
Vive l’amour aka Aiqing wansui 1994 (Taiwan) 7.4
Wings of Desire aka Himmel über Berlin, Der
1987 Fantasy 8.0
Zu: Warriors of the Magic Mountain 1983 6.6
Weekend Update with Toren Atkinson
BURNING WHEEEEEEEEEEEEEEL!
I am now playing a biweekly BURNING WHEEL game. Burning Wheel is a roleplaying game where the players have a lot more say in creating the world than in D&D. And the characters are much more fleshed out. And the rewards are not XPs. So far I’m enjoying it! However it has caused me to forget to tape LIFE OF BIRDS two consecutive times.
BIKE
I’ve taken my bike in to 3 different places to get fixed over the past year. You may remember I’ve complained here about how most of them aren’t open on Mondays. Anyway I think I’ve finally settle on Cyclepath, since one of the staff is a Thickets fan, that’s my best in for service and value! Cashing in the rock chips! Today I biked downtown to Elfsar and back, and tonight I biked to Burnaby and back for Joe’s housewarming, where I played some X-Box Guitar Hero. Joe was telling me they have Settlers of Catan for X-Box now.
COMICS
At free comics day I got some Donald Duck and Mickey Mouse comics! Also I purchased a sizeable chunk of ‘how to’ books, including WRITING FOR COMICS WITH PETER DAVID and INKING THE DC WAY. I also bought this crazy book called THE FANTASY FIGURE ARTIST’S REFERENCE FILE which has some pretty cheeseball stuff in it but also some nice photos of belts. Which is important.
56 MOVIES TO GO
On imdb.com, you can give movies a rating between 1 and 10, and also submit reviews. Over the past few years I’ve been inputting ratings of movies that I’ve seen as well as movies I remember well enough to give a faithful rating. I’m up to 944 titles. It’s my goal to hit 1000 in as short a time as possible, so I have to go now and watch something.
Here’s my list by the way [link]
Summer Blockbuster Spoilage
Remember this? It ran before 9/11.
I’m trying to figure out if the black costume in Spidey 3 is going to be from space. I’m betting it is. So it seems we’ve got three forces that Parker is up against – Sandman, Hobgoblin and the parasite costume/Venom. Too much for one movie? I guess we’ll have to wait and see. I don’t usually speculate on movies before I see them, but I was explaining to Joyous that in the comics J.Jonah Jameson’s son, who Mary Jane almost married in the second movie, became a some kind of werewolf, and that the parasite costume came from another planet/universe during the Secret Wars comic book miniseries. Now, I’d love to see a Secret Wars movie, though I’m sure it would be terrible, but I doubt very much that they’ll keep that origin for the black costume in Spidey 3. I’m guessing maybe JJ’s son brings it back from some space mission. But that’s just a guess. But the good news is that Dylan Baker reprises his role as Dr Connors (who we comic book fans all know becomes The Lizard) in the new film.
So anyway, here’s a shot from the Iron Man movie, which is interesting. I imagine it’s the first prototype in the storyline.
And here’s a shot from Transformers. I still don’t like how pointy they seem to be.
I just read that Sci Fi Channel is making a Flash Gordon TV series. I like that!
The Veil
The Celluloid Social Club is a monthly Vancouver institution that I wish I had more time to get involved with. But…
from Mike Jackson:
Hi folks! The extended cut of the Veil is FINALLY getting a Vancouver screening, at next Wednesday’s Celluloid Social Club (details below)! It’s Ken Hegan’s last time as MC, so it’s likely to be packed. Anyway, hope to see some (or all) of you down there!
The Veil will also be getting its Austrailian premiere in a couple of weeks at the ‘Night of Horror’ film festival in Sydney – Its sixth festival.
Hope all’s well with everyone. All the best,
-M
The CELLULOID SOCIAL CLUB
WEDNESDAY, MARCH 21st, 2007
FEATURING the WORLD PREMIERE of
BIF NAKEDs New Music Video
MY GREATEST MASTERPIECEin support of the THEATRICAL RELEASE of CROSSING
ALSO FEATURING SEVERAL FILMS ON A ZOMBIE THEME
in support of the THEATRICAL RELEASE of FIDO
with a Q&A with the director ANDREW CURRIE
ALSO FEATURING THE POPULAR YouTube WEBISERIES DONOVAN LIFE
directed by ROGER EVAN LARRY
starring SEBASTIAN SPENCE and CRYSTAL BUBLEPARTY FOLLOWING SCREENING:
BON VOYAGE PARTY for our HOST of 9 YEARS
KEN HEGAN
and THE COLD READING SERIES PRODUCER
SARAH NIXEY
as THEY JOURNEY to TORONTO for 1 YEARDoors – 7:30pm Show – 8:00pm
The ANZA Club, #3 West 8th Ave. at Ontario St., Vancouver, B.C.www.celluloidsocialclub.com
604-734-8339 Admission – $5.00 at the door
You will remember The Veil as the short Lovecraftian film that I was involved with.
The Day Style Became A Genre
When was it that style became a genre? Was it The Matrix? Was it Kill Bill or Sky Captain? Or was it 300?
I can’t believe 300 got 8.3 out of 10 on imdb.com – unless for some reason…the internet is populated by nerds? 300 comes across like it was made by 17-year-old boys for 17-year-old boys. I’d say that there was a romantic angle thrown in for the women, but actually it was just a sex scene. This is one of those films where I hear people say “it’s good for what it is supposed to be.” And they’re right – if you like pretty crap, this is some of the best. But I’m tired of qualifiers. If it’s a movie about zombies, I want a good movie about zombies If it’s a movie about dancing CG penguins, give me a good movie about dancing CG penguins. And if it’s a movie about 300 Spartans vs a million Persians…well you know. Give me some good acting. Give me a character I can identify with (any character! PLEASE! Don’t make me root for the traitorous hunchback because he evokes the most pathos). Give me some character development (don’t show me a boy fighting a CGI wolf and then have a voiceover telling me “this boy is fighting a wolf”). A bit of clever or meaningful dialogue and a story with more than one layer would be an added bonus.
Here’s my problem with 300 in a nutshell: those elephants are way too big. Don’t give me Lord of the Rings and tell me it’s Greek history. I’ve seen enough elves surfing down castle stairs on shields while firing volleys of arrows. I’ve seen plenty of music videos.
Sometimes less is more. And sometimes more is less. A lot less. At least The Matrix for all it’s flair had a human element to it.
I will give it one thing: they didn’t use the often-used and never-should-be-used shakey, blurry, quick-cut action scene style. They showed me everything and everywhere that the swords were going, and I applaud that.
They could have done so much better by making it more human.
4/10.
Movies of 2006
That I saw:
4/10
Silent Hill
Snakes on a Plane
5/10:
Art School Confidential
Nacho Libre
Curse of the Golden Flower
6/10:
Clerks II
The Departed
For Your Consideration
Miami Vice
7/10:
Inside Man
Superman Returns
X-Men: The Last Stand
Who Killed the Electric Car?
Sophie Scholl
Thank You for Smoking
The Illusionist
8/10:
An Inconvenient Truth
Little Miss Sunshine
9/10
Deep Sea 3D
Tenacious D in the Pick of Destiny
Missed/Missing:
The Queen
World’s Fastest Indian
Pirates of the Caribbean 2
Why We Fight
Volver
Casino Royale
Last King of Scotland
Children of Men
Pan’s Labyrinth
Manufactured Landscapes
Letters from Iwo Jima
Jesus Camp
Stranger Than Fiction
The Main Thing That They Do Is To Rock My Socks Off
http://www.apple.com/trailers/newline/tenaciousdinthepickofdestiny/
Sure, it looks like a typical movie trailer, but hell, the only thing that truly matters is the classical sauce.
Garage Sale Tally / Graveyard Commentary
Garage Sale Tally
I completely forgot to go out garage saling yesterday (Saturday – the primo garage sale day), but I did manage to get out to a few this afternoon.
Garage Sale #1 had this huge box of flashlights, in packages, with batteries. There must have been at least 40 of them. I might have bought one except there was no sign of a price, nor did anyone seem particularly interested in offering me anything. So if you’re putting on a garage sale, keep that in mind – pricing your items will help them sell. The most interesting thing about this garage sale was that you got a free portrait done by…well by some guy. Looks like he was doing an OK job but I didn’t really get a good look.
Garage Sale #2 – this one was unattended and everything was free. Of course, most of it was crap but there was a monitor and some computer power cords.
SCORE
2 power cords: free!
Garage Sale #3 I stumbled upon quite accidentally – not having seen any signs for it. When I got there some chump was talking the seller’s ear off about Tiger Beer being available in bottles in Calgary but not here. The most interesting thing about this one was that the seller had a very nice British accent – I asked him where he was from. He’s from Stratfordshire. He’s lived in San Diego and Toronto, and doesn’t miss England nearly as much as he does California. That was our 60 second conversation.
SCORE
big backpack: $2
Thrasher magazine: 10 cents
Garage Sale #4 This one was teeming with kids of all ages. Most of it was clothing, but I gathered that the family was of the petite Japanese variety, and since I am neither Japanese and (more importantly) not petite, I didn’t bother looking through the racks and the bins (of which there were at least 4). Lots of shoes too. They had some really nice lamps but I couldn’t really justify buying them, even though they were cheap $5 and, as I said, really nice. I did find some magazines but again, there were no prices. I was interested enough to ask how much they were, but I had absolutely no idea who was in charge so I just kind of yelled in a vague direction hoping somebody would answer me.
SCORE
12 Men’s Health magazines for $3.
I will now comment on a commentary
Last night Ed emailed me about the DVD audio commentary for Graveyard. He rented a mixer from Long & McQuade and I met him at his place, which is 2 blocks from here. Then we walked to James’. Kier-La (James’ roommate and as many of you know, the director of the Cinemuerte film festival, and an old friend of mine) is in Texas right now and when she gets back she’s moving out of the place. She’s lived in that house for as long as I’ve known her (6 years). There is a bunch of free stuff at the side of the house that anyone can take away. I took some cloth and some video tapes. I don’t know the address, but it’s on 19th and Cambie basically and if you email me I can tell you more. Some of the stuff might be rained on by now though…like old Cannibal Culture magazines. Anyway I hadn’t been in that house for probably 2 years or more, so it was like strolling through memory…house. James is moving in with his sister and he tells me that the people in back of the house (it’s one of those split level houses with several suites) are getting the suite that they had – I don’t know who’s getting their old place or why they want to move.
Thor Arrives
Anyway, Ed set up the microphones and we waited for Thor to arrive (his real name is Jon but I much prefer Thor – I know too many Jons, I’ll rant about that another day). Finally we all were set up and we went through the movie once with the sound on, to refresh our memories, and then we went through it again with the sound off, so that we wouldn’t get feedback on the commentary. It was a blast. I loved it. I did a fucking audio commentary! We talked about the usual stuff you talk about on an audio commentary along with all the expected witty quips. Shira, who played “the girl” showed up halfway through and sat in as well. At the end both James and Shira performed a little jaw harp song, it was very touching. Then Shira and Thor left leaving James, Ed and me to do the commentary for the 2 deleted scenes. Ed says that the audio commentary tracks for the deleted scenes aren’t going to be listed, so you just have to guess they’re there and press the audio button on your DVD player. I actually am against secret stuff – what they call “easter eggs” on DVDs. I don’t want to spend time hunting around my DVD menus for extra stuff – just tell me where it is for Yog’s sake. Nevertheless, we did them. We only had to redo the very last delete scene because James started going off on a tangent and asking Ed if he would date a guy and it was just kind of pointless.
Bottomful Fries
Then we sat around, chewed the proverbial fat, and finally decided to go out for food, along with Janet, Ed’s S.O. Ed apparently has this thing for Red Robin’s, which actually was fine with me, I haven’t been there for quite a while. Janet and I shared a plate of nachos and I mooched off of James bottomless fries, which were in fact not bottomless because we got there pretty late so they shut down the kitchen while we were still eating. The service was wretched but at least James was very vocal about it, so that made me feel good.
Movie Reviews: Forbidden Planet; Dogma; The Cruise; Iron Giant; Madre Muerta
Movie Review: Forbidden Planet
The space pulp/monster movie genre really came to a head in the 1950s. With the A-Bomb and the Reds a new and very real threat to post-WWII America, the sci-fi movies of the time had a tendency to exploit the fears of the public. The best of these films served as cautionary tales. A great many of them (Angry Red Planet, and Rocketship X-M for example) were little more than xenophobic jaunts of drive-in escapism suitable for MST3K-ing. With all their dated, stereotypical camp – bug-eyed monsters, posturing military men with atomic ray guns, fainting heroines and alcoholic cooks – poking fun at the genre is duck soup.
Despite all of their idiosyncrasies, a few of these sci-fi flicks still stand up 50 years later. The Day the Earth Stood Still and War of the Worlds spring to mind, as does Forbidden Planet. In MGM’s first real stab at the genre, Commander J. J. Adams (Leslie Nielson) commands the crew of the United Planets Cruiser C57D on their mission to investigate the mysterious loss of contact with a colony of scientists on the planet Altair. Once they approach the planet they receive a transmission from the last surviving scientist, Dr. Morbius (Walter Pidgeon), who warns Adams “if you set down on this planet I cannot be held accountable for the safety of your ship or your crew.” Naturally, the Commander ignores the warning and lands to further survey the situation. Dr Morbius, less sinister than his name seems to imply, reluctantly welcomes the crew and introduces them to the now familiar Robot (who was known as “Robbie the Robot” only outside of the film), his lovely daughter Altaira (Anne Francis), and an ancient underground world created by the long-extinct inhabitants of the planet, the Krell.
The various science-fiction elements in Forbidden Planet are stylistically fascinating, powerful and memorable, and perfectly executed for the time. Though dated by today’s standards, the special effects were very sophisticated at the time and are still a joy to behold.
The characters, though somewhat stereotypical, are pretty solid, and with talent like Nielson, Pidgeon and Francis the acting is nothing to sneeze at. Tensions between Adams and Morbius, the interplay between the crew and the free-spirited Altaira, and the subtle camaraderie between the commander and his doctor (Warren Stevens) are well-played.
The theremin soundtrack is something else – you have to hear it to believe it – and it really gives the film an otherworldly quality and very much adds to the suspense of the story. Oddly enough, the score for the film wasn’t what the studio had planned – due to the Hollywood Musician’s Union strike a husband & wife team was hired for the task.
Texturally, the whole story works on several different levels. There are Shakespearean (the film is based on The Tempest) and Freudian aspects mixed in with the comic relief of Robot and ‘Cookie’, the ship’s cook. If you’ve not seen Forbidden Planet for a decade or two, I strongly suggest refamiliarizing yourself with this entertaining sci-fi classic, the rich antecedent to a diluted Star Trek franchise. If you have never seen Forbidden Planet – well you’re in for a memorable voyage of discovery.
Movie Review: Dogma
(or Jay & Silent Bob’s Excrement Adventure)
I’m not going to say that Kevin Smith doesn’t have talent. I’m sure he’s a very good dancer.
I liked Clerks and Mall Rats, but I think Smith got a bit out of his element with Chasing Amy, and is even more so with Dogma. The mix of incessant one-liners and socio-religious criticism is an experiment that does not succeed. I admit I am not up on my Catholic dogma, but I do know that constant elbowing at a belief system does not a good movie make. Plot and acting should also be present if possible. The dialogue in this movie feels like it’s been written on–and read off–recipe cards, more so due to Chris Rock’s and Salma Hayek’s irredeemable delivery. But give them a break, even all of Jason Lee’s charisma couldn’t make these lines wash. The story can’t get a word in edgewise with all the sassy religious icons constant yammering. I felt like I had just opened my door to a bunch of bible thumpers who wouldn’t let me politely excuse myself, except these bible thumpers are perpetually pissed-off miscreants and they don’t offer any free reading material, let alone theological insight that isn’t half-baked. Alannis Morrisette as God? Sure…why not? It’s so crazy it just might work!
The movie ends, as is expected, in a violent bloodbath borne of Hollywood’s safest formula, wherein the heroine is killed for no good reason, then brought back to life for no good reason, then cured via divine intervention of her infertility problem. Yup, everything wraps up in a nice little package, and despite the hoity-toity pretentious pokes at organized religion, Dogma still manages to appeal to the lowest common denominator.
You know you’re in a lot of trouble when the best part of the movie you’re seeing is Ben Affleck’s acting! If you like Adam Sandler but have a college degree, you may like Dogma.
WARNING: There may be some inoffensive language between f-words.
Movie Review: The Cruise
1998, dir: Bennett Miller
Timothy “Speed” Levitch is an interesting person in an interesting town. We follow this eloquent, thoughtful, and passionate guide for Gray Line tours in New York, catching him at his best and worst moments. This is the kind of movie you can sit down and lose yourself in, despite any conventional elements of plot, action or romance. The plot is Levitch’s meanderings through the city. The action is his refusal to wear Gray Line’s red blazers and his struggle with an alarmed emergency exit. The romance is his love of NY, exhibitionism with tourists, and eroticism he finds in terra cotta building facades.
The Cruise is a glimpse into the life and mind of a rather extraordinary citizen of the times, as he fights what he calls “anti-cruise”. Anti-cruise can be described, in a very limited sense, as convention, conformity, and oppression of different levels, and Levitch’s fight is at once provocative, amusing, and always insightful. His fight is neither rancorous nor glorious–it is not the Braveheart fight-to-the-death crusade, but rather it is the day-to-day struggle against his career, aspirations and memories, and this makes it all the more identifiable and inspiring. Levitch has the uncanny ability to crystallize ideas which remain unspoken or indeed semi-formed in the conscience-at-large, and furthermore to plant the seeds of still greater ideas.
This movie may not be at the top of your “to see” list, but it should be.
Movie Review: The Iron Giant
Set in a small town in Maine during the height of the cold war, this film is based on Ted Hughes’ children’s book “The Iron Man” and brought to you by The Simpsons’ Brad Bird. It tells the story of a giant, amnesiac robot who falls to Earth, and is eventually befriended by a local boy, Hogarth Hughes. Hogarth must hide the robot from a paranoid government agent who suspects it a Soviet weapon of war. The truth is that the robot is indeed essentially a giant gun, but hails from a distant planet and bears unbelievable firepower! Ultimately, it is the friendship with the boy that brings out the robot’s compassion and humanity, and saves the town from annihilation.
I liked this film so much that after I saw it, I emailed everyone on my many contact lists and practically begged them to put on their shoes and hit the theatre to support this amazing film. Why should I care? Because I am an ardent believer in supporting cinematic–or any other–efforts that one feels strongly about. And I do feel strongly about this film. The Iron Giant is one of the finest, well-written, non-formulaic, intelligent pieces of animated film I have seen in a long long time, and I watch a lot of cartoons. At the time, just a few weeks after the film opened, it came to my attention that it was not doing so well at the box office. My bulk email was a modest campaign to boost awareness of the film, because in Hollywood there is just one truth: the success of a movie is based on its gross. If a piece of s**t movie does well, more piece of s**t movies like it will get made. Conversely, if an intelligent, well-written movie does not make its financial mark, that kind of movie will fall out of favour with the fatcats who make the decisions back at the studio. I personally would hate to see the entire genre suffer because The Iron Giant is recognized by a wanting dollar return and lack of ubiquitous Happy Meal tie-in claptrap. The Iron Giant is an inspiring movie that can be appreciated by adults for its genuine characters and solid story (not to mention its welcome lack of ill-placed Disneyesque singalongs) and by children for its well-executed animation and springboard for the imagination. If you can still find The Iron Giant in theatres, go see it (again). If not, it’s coming out on video shortly.
And if you don’t want to take my word for it, I can send you the barrage of reply emails I received, with subject lines like “Thanks for the great recommendation…I loved Iron Giant.”
Movie Review: Madre Muerta
aka The Dead Mother. 1993, dir: Juanma Bajo Ulloa
I don’t use the words “brilliant” and “captivating” very often, in fact, this may be the first time they’ve both appeared in the same sentence, or indeed thought, that I have produced. I have no reservation about attributing both of these adjectives to La Madre Muerta, however.
Juanma and Eduardo Bajo Ulloa’s story begins with an amazing bang that holds you fast to your chair for the ensuing 103 minutes. The protagonist, Ismael, is a a psychotic, petty thug whose love for chocolate is stronger than that for his devoted lover, Maite, whose attention he repays with threats and abuse. On one of Ismael’s jobs burgling a house, he is surprised by the owner, the “Dead Mother” in question. Her statement “there is no money” is answered with a fatal shotgun blast that leaves her young daughter, who Ismael meets on the way out, orphaned.
Years later Ismael sees her on the street, now an enchantingly beautiful, but mute and seemingly autistic young woman in the care of a local sanitarium. Ismael, frightened that she has recognized him, kidnaps her and brings her back to Maite at their the house. Ismael wants to throw her in front of a train, but Maite insists a ransom, since they are currently squatting. In the meantime, little Leire grows on both of the criminals, albeit in different ways. This leads to an engaging storyline of conflict, beauty, and twisted redemption. Despite the detestable actions of the lead characters, it is impossible not to care for them. Apart from the fact that the subtitles are a bit hard to read at times, this movie is infallible, and must be watched immediately at all costs!