PAX Diary Day Two

I woke up in the Green Ronin house a half hour before the alarm went off, which is something that has happened steadily for the past couple of months. I got up and got ready, and as I left I of course locked the door behind me. Immediately after I closed the door I realized that I locked my cell phone inside the house. I knocked quietly at first so that rather than wake up the whole house I’d only wake up the lightest sleeper. Minutes passed and I upgraded my knocking from light to medium and added some doorbell ringing. More time passed and I knocked loudly, repeatedly, with no response. I tried to walk around the house to find a way to B&E but nothing presented itself easily and furthermore I decided that would be a bad idea. I finally decided that I could just use someone else’s mobile to call the GR house when I got to the con. I got in the car and was about to leave when I changed my mind. I knew that as stressed out as I was already, not having my phone would stress me out even more. So I went back and really banged on the door. I seriously thought that at any moment one of the neighbors would poke their head out of a window and yell “Do you have any idea what time it is? Some of us are trying to sleep!”

Finally I heard movement in the house and Nicole let me in. I apologized profusely and made my way to the hotel. I was surprised how busy the Seattle highway was even at 6 in the morning on a Saturday. I hadn’t been to the hotel at all since I got to Seattle so I had to navigate downtown to find it. I had the valet park the car and that’s where it stayed until we left on Sunday.

Soundcheck was moved from 8:30 to 7:30 in the morning. Yes, we had the earliest sound check in the history of rock & roll. Not everyone got the memo so I had to wrangle the musicians out of bed or the exercise room or whathaveyou. The stage was huge!

adampwsmith.com for awesome shots like this
adampwsmith.com for awesome shots like this

Adam PW Smith showed up and we worked out some details with the lighting guy so that we could get the best possible shots. As soon as we were done I headed out to the booth to set up so we could generate some more sweet sweet sales. We got a lot of people who knew us, and a lot of people who were simply interested in the art on the shirts & CDs, and a lot of people who had heard about us but wanted to know more and/or hear us first before they decided to buy something.

adampwsmith.com for awesome shots like this
adampwsmith.com for awesome shots like this

Sales were much better on Saturday, but I actually was wishing that we had played on the Friday night. Even though the word on the street was that the Saturday show had a bigger crowd, if we had played Friday, then all of the people milling around on Saturday would know who we were!

I was getting text messages from Deanna and Stewie all morning about their ETA. Deanna was held up at the border for about 3 hours but she finally arrived mid afternoon. I cannot express how thankful I was (and am) that she came. I gave her the biggest hug when I finally figured out which escalator she was waiting for me at. Finally I had someone whom I could rely on 100%, and my stress level dropped again. Shortly after that Stewie and Allen showed up (independently) and we had all our peeps hanging around the booth.

Heather from Harmonix invited the band to come by the Rock Band booth and play our song. The other band members were out shopping around town so Deanna and I decided to explore the exhibitor hall which I hadn’t had the chance to do since I arrived 24 hours previous! They invited me to the Rock Band stage and I was going to play guitar – since that’s the instrument I’m good at on Rock Band – but Stewie & De convinced me to sing and that was of course wise. I sang and the staff at Harmonix played all the instruments – it was fun! I told them I’d arrange a time with the band when we could all come back.

Shortly after the exhibit hall closed we packed up our booth so the enforcers could move it next to the main theater where the bands would be playing. Anamanaguchi played about 20 minutes earlier than we thought which pretty much meant that we were going to play earlier than we thought. Again I had to scramble to wrangle the band and we all went behind stage to get in our costumes.

I am not trying to make excuses when I say that four out of five of us had health problems that night. Merrick and Mario both had back problems (Mario finagled two massages that day out of the staff), Jordan had a bad cold and back problems, and I had a cold, though it wasn’t terrible. Though there were a few rough patches in the performance, I can say without a doubt that each of us gave it his all, and it was a really great show. Here’s the set list for all who care:

The Math Song (we started with a crazy big intro)
Shoggoths Away
Burrow Your Way to My Heart
A Marine Biologist
Cultists On Board
Sleestak and Yeti
The Innsmouth Look (this one almost made it on Rock Band)
Walking on the Moon (The Police cover for the uninitiated)
Hookworm (an oldie but a goodie)
Downtown (in the Cenozoic)
Nyarlathotep
20 Minutes of Oxygen
Colour Me Green (see video)
plus….

That was the set list we prepared long and hard for. What we didn’t expect was the opportunity to get an encore! The crowd was chanting “Dar-kest Dar-kest Dar-kest” which is the hallmark of new fans…our entrenched cronies would have been yelling “Thic-kets Thic-kets Thic-kets” and so Brad told us to get back on stage for an encore. We quickly decided to play “Slave Ship” as that had been on the set list for a while but we had scratched it a couple weeks before the show. As such, Warren hadn’t practiced it at all (he only got in from England 2 weeks before the show) so it wasn’t a solid run-through, but it didn’t matter at that point. We sold them on our antics.

Out of respect for the following bands we didn’t use our dark powers to drain the crowd of their Magic Points and summon Cthulhu, despite the fact that we had 8000 people chanting “IA IA CTHULHU FHTAGN.”

After the performance Mario and I hit the booth in costume and we signed too many CDs and roleplaying games to count. Someone also brought their copy of Bloodcurdling Tales of Horror and the Macabre (the HPL book I started out on) for us to sign.

We hung out and posed for photos and sold merch (well Deanna and Stewie did that part, and a fine job too) and waited for the other bands to finish. The Minibosses, bless their many toes, played for so long that we were dead on our feet from fatigue, staying around for that end-of-concert “rush.” Finally we hauled our remaining merch back to “Bandland” and crawled to the hotel for some much needed sleep.

END OF DAY TWO.

(thanks to Adam PW Smith for use of the photos – adampwsmith.com)

Rockonomics: "Shhh…." on Rock Band

So… Rock Band + my band = pretty amazing for me.

When we recorded the songs for “The Shadow Out of Tim” we had two extra tracks that we didn’t put on the album because they didn’t fit in thematically. That is to say, they had nothing to do with a musical adaptation of Lovecraft’s The Shadow Out of Time. We decided to save them for the next album and…whatever opportunities came in between. We submitted them to the CFOX Seeds competition but nothing came of that.

When we were graciously invited back to PAX this year (thanks Jerry) one of the reasons I was so stoked about it was that the people from Rock Band and Guitar Hero would be there and would have a chance to see us live. We dared to dream that maybe they would like us enough that they’d consider adding us to their respective rosters.

Little did we know that the people at Harmonix already knew about the band, and that they and the Penny Arcade guys were planning on doing a pack of songs that tied in with the convention. In mid-July Robert Khoo introduced us to the Harmonix folks (via email). They didn’t have any particular track in mind. We suggested something off the new album to promote it, but we also pointed out that we had unused tracks and that we shouldn’t dismiss some of our best work from past albums (Math Song, 20 Minutes of Oxygen). As much as some of our songs are fun or rockin’ or whathaveyou, I knew some of them wouldn’t be appropriate for the video game. I imagine the criteria they have to consider would be length of the song, variety, appropriate lyric content (I make a point not to swear in the lyrics anyway), and a fair balance of the four instruments the game utilizes.

They initially decided on “The Innsmouth Look.” I was a little surprised they chose it, but since it was a definite Lovecraft riff I thought it was a good representation of the band for all those Rock Band players who had never heard of us.

An interesting point is that they wanted to get us involved in the project months prior, but because of our inability to confirm at that point they had to pass us over. It’s no secret on the internet that MC Chris was confirmed for PAX but then cancelled, and that opened up the slot for us to sneak in at the 11th hour.

The time squeeze, however, was against us. We recorded Spaceship Zero in 1999, on ADATs which are basically VHS tapes used in a special machine. That format is outmoded now and since the recording studio we used was dissolved by 54-40 we didn’t have access to the “stems” of the song that Harmonix needed to use to put the song on the game. We spent a weekend trying to hunt down equipment to get this done but since time was such an issue we suggested to Harmonix to pick a backup track off the newer material. “Shhh….” was their choice.

By this time it was well into August and the band had been practicing a very dedicated setlist for months. Warren wouldn’t be back in Canada until mid-August and the idea of re-learning how to play “Shhh….” live (we hadn’t played it for about a year) was pretty sketchy, so as much as we would have liked to play it during our performance at PAX, we just weren’t confidant we could pull it off in the two weeks we had left for rehearsals. Keep in mind that the five band members live in three different cities so typically we meet once a week at best. You don’t want to blow your performance in front of 10,000 fans and potential fans and industry bigwigs!

Finally PAX came and we met with the Harmonix staff as they went by our merch booth and we went by the Rock Band exhibit. I cannot say enough about how cool the Harmonix staff were. Very nice, very excited to work with us, very professional and fun! Heather invited us to come and play our song on Rock Band at their exhibit, and so I wrangled up the members of the band for a set time on Sunday.

If you’ve ever played Rock Band and played a musical instrument, you know that one does not necessarily translate to the other. I can play guitar on Rock Band well, but I can’t play a real guitar. Mario, Merrick and Jordan had never played Rock Band before, and they were somewhat nervous to do so. To our great relief Heather told us that the game was set to “no fail” so we knew that no matter how poorly we played the game we’d still get all the way through the song.

The whole thing looked a little like this:

http://www.youtube.com/watch?v=TR1JiIMFAY4

What a hoot! I was surprised by the tambourine/cowbell deal on the singing section of the song – since the actual song has no such parts! Since there were only four instruments but five band members, Mario hung out and coached Jordan on the drums. At the end of the song we through out a spare tentacle on stage and by luck the one who caught it was a fan – he had us autograph it.

Since we’ve got back we’re trying to keep the promo ball rolling on this amazing, once-in-a-lifetime opportunity for us: the only Canadian indie band on Rock Band!

Toren's Craft Site

Today I added a bunch of lights to my costume. I still have to add the spine protrusions but thanks to Kelly & Paul I had a working drill to get that started.

Here’s my tiny light saga:

Knowing I wanted some tiny lights on my costume, but keeping in mind that I don’t know how to solder properly or safely, and not having time to fiddle around with that much detail, I polled my friends for suggestions. Main Street Electronics was a bust not only because they didn’t have self-contained, ready-to-go lights in the store, but the old white men were not interested in helping me, talking to me, acknowledging me, or even hearing me. Luckily a few doors down was Lee’s Electronics. I knew describing what I was looking for was going to be challenging, but I think these guys finally got it when I saw those little keychain lights that you squeeze to turn on ($2.50 each). Luckily they had a wide variety and these things have a “stay on” switch so I won’t have to squeeze eight key chain lights while I’m trying to sing on stage. They also had a flashing red bike light for $5. Deal.

I biked down to Mountain Equipment Co-op and found amongst their many bike lights only one item that was under $9 – a small Coleman light in the shape of a lantern. It was $7 and I hemmed and hawed about whether or not to get it because, apart from being $2 over my loosely self-imposed $5-per-light limit, I didn’t like the “vibe” of MEC. I finally decided I might as well take it but when I got to the register I noted that apparently you have to pay a membership fee to purchase there. The light went back on the shelf and I hit the road.

An unsuccessful stop at London Drugs and Home Depot had me at Canadian Tire, where they had these great little push-on/off stick-em lights in various colours. I grabbed two packs of 4 ($10 each) and at the checkout stand I saw a little laser pointer/flexi-necked reading light that was perfect. With all that totalling about $50, plus the free Ikea lights that Jeremy generously supplied, I felt I had enough!

Here are the photos of the work in progress:


I attached a red light to the end of my head hose-claw.

All of the keychain lights are attached to the chains – or attached to the things attached to the chains. They point at the ground creating a cool effect.

The red flashing bike light is affixed to the chest piece.


You can see one of the green stick-on lights which I hot-glue-gunned to the Darth Vaderesque chest panel. The flexi-necked light points up at my face to create a spooooooky ambiance! I can also handily point it down towards the set list on the ground when the stage lights fail me!


Here’s one of Jeremy’s Ikea wire-lights on. Not totally sold on my application of it but I figure I can keep it off until I really need that extra festive oomph.
I’ve added lights to the tips of my spine-spools (thanks EmbroidMe!) and I’ll be zap-strapping them to the back of my flight suit in short order! Move over, Circue de Soleil!

PAX NEWS

All times approximate:

Saturday August 30th:

10pm: Anamanaguchi
11pm: The Darkest of the Hillside Thickets
midnight: MC Fontalot
1am: Mini Bosses

Show Hours
During regular show hours you can hang out in the freeplay areas, compete in tournaments, absorb the wisdom of panels, and rock out to concerts.

Friday, August 29th – 2:00 PM to 3:00 AM
Saturday, August 30th – 10:00 AM to 3:00 AM
Sunday, August 31st – 10:00 AM to 6:00 PM
Exhibit Hall Hours

The exhibitor hall is open for limited hours. Why the different hours for exhibits? We could say that we need to give them time to rest and recover, but really we just want to give them time to host soon-to-be-legendary parties.

Friday, August 29th – 2:00 PM to 7:00 PM
Saturday, August 30th – 10:00 AM to 6:00 PM
Sunday, August 31st – 10:00 AM to 6:00 PM

The Million Favoured Ones

Hi. I’m a big fan of your band’s songs (I have four of your CDs), and also an enthusiast of creepy, ancient-Egyptian inspired stuff, and I was wondering if it would be possible for you to e-mail me a copy of the English translation of the lyrics to “Nyarlathotep”. I tried to translate it myself, but I was only able to figure out about seventeen of the words (see the attached jpeg file), and half of them I’m not sure about because the book that I used to try to translate them back into English uses E.A.Wallace Budge’s system of transliterations, which is different from the transliterations in the lyrics sheet….

….Anyway, I figured that one of you probably has the English version of the lyrics either on your computer somewhere, or at the very least written down somewhere physically, and you might be able to enlighten me with some as to what the song is actually about, (beyond the general sense of it being in some way about the messenger of the Outer Gods). Thanks in advance; When (if??) you get around to responding. Thanks again.

Signed,
Diogenes Shandor

Hello Diogenes – are you a relative of Ivo Shandor who designed the alter where the Ghostbusters fought Gozer the Gozerian? Thanks for supporting the band. We prefer you summon up Nyarlathotep by playing the album 777 times so you can ask him yourself, but in case your CD laser gets burned out:

Nyarlathotep­
English lyrics
by Cristina Rizen and Inanna Gruner

Crying out from the Red Land
Came a man of darkness
With evil bloody secrets

He knew the Black Pharaoh
Servant to the Faceless Sphinx God
He gave me the book of the dead

Nyarlathotep
Slaughterer bringing nigh those who are detested
Nyarlathotep

Tumult and time bent
Mutilation and death in every land
Unleashing fear, creeping downward

Messenger to those who are detested
Prepare a way for the Void and the Evil Ones
Terror in the harem of pestilences

Thickets Video Contest

Mario had an idea for a music video contest for the Thickets. Here’s my first draft for the writeup/rules. Feedback welcome.

Hey kids! Do you have a film school project coming up? Are you an indie filmmaker looking to expand your portfolio? Or do you just have a cell phone camera, a lot of hard drive space, and a jonesin’ for all things Lovecraftian? Introducing the very first music video contest for the H.P. Lovecraft inspired punk band, The Darkest of the Hillside Thickets.

Our next CD release will include a DVD, and we want your work to be on it! There are very few restrictions, and here they are:

1. You must give us permission in writing that we are allowed to use your film for our DVD and promo purposes (such as youtube).
2. You must use a complete song from any of our albums.
3. No porn, misogyny, or general bad taste in subject matter. Fake gore in good humour is a-ok!
4. Must not contain any elements to which you do not have the rights (don’t use Star Wars, Mickey Mouse, or Hellboy in the video, for starters). This includes any sound or images you don’t own, (unless they’re public domain or covered by a creative commons license). No pilfered film footage, that includes other music, identifiable products or logos (no sports team jersies or coke cans).

You own the rights to your film. You can submit it to film festivals (such as the H.P. Lovecraft Film Festival, Screamfest, and A Night of Horror), make your own DVDs, whatever you like. As long as The Darkest of the Hillside Thickets are credited with the music, we’re not going try to restrict use of your film.

It can be live action, a Flash cartoon, stop-motion animation, anything you like.

We, the band, will review all of the submissions and pick a video which will receive the Tentacule d’Or award. This recipient will receive $200 in Thickets merchandise of their choice. Even those who don’t win the contest are still eligible to have the film on the Thickets DVD. All qualifying films will get a copy of the album/DVD.

Bonus considerations for the Tentacule d’Or are as follows:
a) Use of tentacles in the video.
b) Giant monsters destroying cities.
c) Setting in the deep sea or in outer space.
d) Use of the Necronomicon.
e) Using any of the following songs: Blackout; No Way; Strange; Return to Melanesia; Cultists on Board; A Need-To-Know Basis; Operation: Get the Hell Out Of Here; Ride the Flying Polyp; Downtown (In the Cenozoic); Nyarlathotep; 20 Minutes of Oxygen; The Innsmouth Look; Power Up; Frogstar; The Math Song; Dies Is Unverschamtheit; The Chosen One; Slave Ship; KABLAM!; Big Robot Dinosaur; Goin’ Down To Dunwich; Yig Snake Daddy; Hookworm; Rock Lords; Protein; Burrow Your Way To My Heart

Full credit will be given to you on the DVD of course, including the website of your choice. We will even help you out in any way that we can while you make your video. We can probably send you some photos and other footage if you need it, and we’ll answer whatever questions you pose. If you live near Vancouver BC, Seattle WA or Portland OR you’ll have some opportunities to take live footage of the band.

-Phase One will be your proposal submission. Let us know what song you’d like to do, what the theme and subject matter will be, what media you’ll be using, and all of that. Deadline for proposal is Oct 1 2008.
-Phase Two will be the final product! Deadline for final product will be June 28 2009. Extensions can be requested but no guarantees. It’s even better if you can provide updates of your progress. Why not make a blog about the project, or at least email us with your updates and we’ll spread the word amongst Thicketdom to keep the interest and excitement at peak levels AT ALL TIMES. Maybe our vast network of Cthulhoids can put you on your way to wealth and infamy.

Format: Mini-DV, DVD, or Quicktime, in either HD or NTSC (the North American video standard). Videos shot in PAL (the European format) can be converted, but it’s a pain in the nippers so best avoided.

Gugs and fishes,
Toren Atkinson
thickets@uniserve.com
604.737.4283
3254 West 3rd Ave Vancouver BC V6K1N4

Casting Call of Cthulhu

Here’s a great little Lovecraftian short that is sure to be playing at the HPL Film Fest this year, and take special notes of the music over the credits!

Sham-Rock

In case you were wondering, the rock show went really well. I printed up my new shirts – yes, this one – and sold a couple, along with all the CDs I brought except for a few copies of Great Old Ones. The new costume worked out fine and I didn’t take the helmet off until the second last song. Calamario also looked great in his new betentacled outfit. Adam PW Smith was there to help us with the lights and take photos, and when he gets back from his vacation he promises to send me some pics which I’ll share of course. The Get Away Sticks opened for us and The Dreadnoughts closed the night. We got the middle slot. Most bands prefer to “headline” the show but since we are all old farts, as are our friends, we prefer to get home early so the middle slot actually has the largest audience, I find. Nevermind that I had to stay through the entire lineup to get paid at the end of the night, The Dreadnoughts were quite entertaining and also had many a squid motif. A large stuff Care Bear (TM) with a shamrock on it’s tummy was tossed around like a ball in the audience. Deanna knows the bear’s name but I don’t.

Crazy Xs

From Natasha, this morning:

A good friend of mine and budding film maker has a film in the Crazy 8’s Film Festival (they make a film in 8 days. The films show this Saturday at The Centre For The Performing Arts). http://www.crazy8s.cc
> The movie is called “Pi Day” and it’s about a bunch of math nerds whose pie gets stolen. It’s really funny and would be even funnier with some great music in it which is where you come in. I want to know if they can use two Darkest Of The Hillside Thickets …The Math Song (obviously) and Dies Ist Unverschämtheit from Spaceship Zero.

We said yes so if you go to the Crazy 8s screening this Saturday keep your ears open.