Season 17 (1979) – Fourth Doctor (TV movie)
The Doctor, Romana and K-9 are summoned to the lair of a dottering old Time Lord friend Professor Chronotis (get it? Chrono means time!) at a contemporary (1979) British university. He’s lost an important book that is the key to accessing the titular Gallifreyan prison asteroid. The evil Skagra, with inimitable fashion sense, is trying to access Shada to complete his ultimate plan of putting the entire universe into one mind – his – with the help of a cryogenically frozen inmate named Salyavin.
Skagra’s path towards this goal involves stealing the minds of important people with the aid of a floating grey sphere. His muscle is the monstrous, lumbering, silicon-based Krarg. Along for the ride with The Doctor is a student of physics who accidentally borrowed the Gallifreyan tome.
Shada was intended as the final serial of the season but filming never completed, owing to a strike. The completed version of Shada was finally released in 2017, with missing dialogue newly recorded by the original cast, using the same audio equipment employed in the initial shoot, and animated by the team that undertook the reconstruction of the 1966 serial The Power of the Daleks.
Although this 2h18m movie could have been cut down by at least 18 minutes (just with the animated characters looking left and right alone), this is a well-written story, as Doctor Who stories go, by our good friend Douglas Adams. There are lots of his trademark witticisms delivered perfectly by Tom Baker. The Doctor manipulates the bad guy’s spaceship AI with “logic” a la Captain Kirk. There’s a chase scene where he’s riding a bicycle without a helmet. He has his memories stolen by the floating sphere when it touches his head (could this have been prevented with a bike helmet?) He has a mind control battle with the bad guy.
Sadly, Romana does precious little except to remind The Doctor of various plot points. I also had a problem with the mysterious Salyavin revealing himself for absolutely no reason at the end, to the benefit of no one but the bad guy. Animated jelly babies appear. The TARDIS goes exactly where everyone wants it to go for a change.
As a student of animation this reconstruction interests me. The animation of the human characters is stilted with fairly flat light and color, but the 2D stills of ships and backgrounds exceeds the live action sets and models. K-9 has never moved so fluidly in his CG form and even the alien Krarg are rendered in 3D to excellent effect. There’s a blog
There’s an online Doctor Who magazine called Nothing At The End of the Lane that takes a hefty, serious, thorough look at this reconstruction. I find this extremely interesting and if you watch Shada (which I recommend) you might look into it https://www.endofthelane.co.uk/Shada-Blog-1.html
Next: The Leisure Hive
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