Overdue Who Review: Castrovalva – Peter Davison’s First Adventure!

Fifth Doctor (Peter Davison), Season 19, 1982. Four parts.

Castrovalva[1] is a frazione of Anversa degli Abruzzi, a municipality in the Abruzzoregion of Italy. The village, which clings to the top of a steep hill, was depicted in M.C. Escher‘s 1930 lithograph “Castrovalva”. The first serial of the 19th season in the British science fiction television series Doctor Who is entitled Castrovalva, which was first broadcast in 1982, was named after this lithograph

After his regeneration, the Doctor is disoriented and unable to function, so Nyssa and Tegan try to help him recover and in the TARDIS’ database find a location called Castrovalva, which seems an ideal place for a rest. Unfortunately, The Master has kidnapped Adric and used his powers of math to create this otherwise fictional Castrovalva, The heroes figure this out when they cannot leave because of “recursive occlusion” which is a technobabble way of saying they’re stuck on MC Escher’s looping staircases.

The Master stupidly reveals himself and one of the NPCs in the village sacrifices himself to free Adric, which cause Castrovalva to collapse around The Master, though our heroes escape through a secret passage. The end!

Every time the Doctor regenerates, he’s out of it for a while, which gives the companions some time to shine. This is a good idea and the young actors do an admirable job here. The Master as always is hammy and moustache-twirling, missing no opportunity for an evil laugh at camera (sometimes with no sound?)

This story could have been half the length. Scenes spent chasing string through the halls of the TARDIS and hauling a box through the woods could have been cut. Also, why did The Master create Castrovalva with free will and a magic tapestry that functions like a scrying pool – or were those parts Adric’s doing? “The Master leaves nothing to chance,” the Doctor says. Oh reaallllyy?

Next: Four to Doomsday

Overdue Who Review: Logopolis

Fourth Doctor, Season 18, 1981 – four 25 minute episodes

It’s Tom Baker’s final Doctor Who story!

Floating through space and time, we learn that the TARDIS has a Cloister Bell to warn of trouble (have we seen this before or since?) but the Doctor decides to go to modern England to fix the TARDIS’ chameleon circuit – the device that allows it to appear as any object, and the reason why the TARDIS has been stuck in the shape of a British police box for hundreds of episodes. For some nonsense reason, in order to effect repairs, he has to take precise measurements of an actual police box and take them to the what I like to call The Holy Order of Maths on the planet Logopolis.

The Doctor’s arch nemesis The Master gets wind of this plan and materializes his own TARDIS around the police box, which causes a recursion loop (whatever that is) and traps the Doctor and Adric. A very big problem but it actually isn’t as they soon appear outside the TARDIS for reasons unexplained.

A mysterious white watcher figure tells The Doctor to go to Logopolis immediately, where a bunch of old white dudes are doing math in their heads to hold the universe together. The Doctor asks their help with his Block Transfer (whatever that is) but the Master ruins the computations by shrinking some of the old men and now the TARDIS is shrinking with the doctor inside. This is resolved in short order with more maths.

The Master keeps messing with the old men and now the universe is unraveling, cause people to be eaten away by special effects, buildings to crumble, and electronics to stop working (sometimes). Entropy is accelerated!

Now to save the universe The Doctor has to team up with The Master. They flee back to Earth to an observatory to use the antenna to shoot a data program into a Charged Vacuum Emboitment (whatever that is), but the dish has to be realigned. Once this is done, the Master naturally betrays the Doctor, and broadcasts to the entire universe that they must acknowledge his rule, otherwise the universal collapse will continue.

The Doctor runs to disconnect a cable but falls off to his death, or rather his regeneration.

So this is a pretty weakly-written story that introduces two new companions (Tegan and Nyssa) and a new Doctor (Peter Davison). Some of the ideas are legitimately great but the execution is mostly sloppy and nonsensical. They could have made the recursion loop interesting and dangerous but instead it’s just a couple minutes of “oh no! we’re trapped!” until they move on. The control room of the Logopolans was, in universe, built to model an Earth observatory for what I have to assume is budget reasons, and the Fifth Doctor appearing as a white shrouded figure throughout the episodes is another interesting idea that really only seems to usher them to the next plot point.

Worth watching if you want to see the transition between the doctors, or if you’re a fan of The Master, but otherwise, meh.

Next episode: Castrovalva

Overdue Who Review: The Keeper of Traken

Fourth Doctor, Season 18, 1981

So they took Doctor Who off Tubi but thanks to my good friend and occasional Caustic Soda Podcast guest Allan I was able to continue my journey on DVD. And so:

The Fourth Doctor and Adric are visited on the TARDIS by the wizened Keeper of Traken, who warns that a great evil has come to his planet in the form of a Melkur – a calcified statue. The Keeper is nearing the end of his reign and seeks the Doctor’s help in preventing the evil from taking control of the bio-electronic Source that is the keystone of the Traken Union‘s civilization.

The planet Traken is described as a place of such good and niceness that evil cannot exist there. This isn’t explained, and indeed the opposite is shown as some of the people are greedy and manipulative, though this could be explained by the Keeper about to expire causing a time of tumult. Anyway, the Melkur landed in a garden some time ago and one of the leading body on Traken (Kassia) has tended to its paralyzed, inert form (thanks to the goodness) for years, but in that time she has become twisted by it and now seeks to put it in place of the Keeper. She manipulates the council, and the rising evil is blamed on the Doctor, who is imprisoned, but finds an ally in the science-minded consul Tremas (also the husband of Kassia, and the father of the young lady Nyssa). I thought for sure Nyssa was going to leave the planet at the end of the story and join as a second companion, but I was wrong (but not for long, it seems).

Anyway, spoilers – the eye-laser-shooting Melkur is a vessel for the return of Doctor Who’s version of Moriarty – The Master – and for a time his plan succeeds and he becomes the Keeper. However Adric saves the day by sabotaging the bio-electronic Source. But at the very end The Master takes possession of Tremas (notice what that name is an anagram for) and further evilness is teased in upcoming episodes.

All in all this is a skippable, by-the-numbers episode, The Doctor doesn’t actually do much and there’s not much of interest to look at.

Next: Logopolis – the last Tom Baker episode.

Overdue Who Review: Shada – the Recently Completed Episode!

Season 17 (1979) – Fourth Doctor (TV movie)

The Doctor, Romana and K-9 are summoned to the lair of a dottering old Time Lord friend Professor Chronotis (get it? Chrono means time!) at a contemporary (1979) British university. He’s lost an important book that is the key to accessing the titular Gallifreyan prison asteroid. The evil Skagra, with inimitable fashion sense, is trying to access Shada to complete his ultimate plan of putting the entire universe into one mind – his – with the help of a cryogenically frozen inmate named Salyavin.

Skagra’s path towards this goal involves stealing the minds of important people with the aid of a floating grey sphere. His muscle is the monstrous, lumbering, silicon-based Krarg. Along for the ride with The Doctor is a student of physics who accidentally borrowed the Gallifreyan tome.

Shada was intended as the final serial of the season but filming never completed, owing to a strike. The completed version of Shada was finally released in 2017, with missing dialogue newly recorded by the original cast, using the same audio equipment employed in the initial shoot, and animated by the team that undertook the reconstruction of the 1966 serial The Power of the Daleks

Although this 2h18m movie could have been cut down by at least 18 minutes (just with the animated characters looking left and right alone), this is a well-written story, as Doctor Who stories go, by our good friend Douglas Adams. There are lots of his trademark witticisms delivered perfectly by Tom Baker. The Doctor manipulates the bad guy’s spaceship AI with “logic” a la Captain Kirk. There’s a chase scene where he’s riding a bicycle without a helmet. He has his memories stolen by the floating sphere when it touches his head (could this have been prevented with a bike helmet?) He has a mind control battle with the bad guy.

Sadly, Romana does precious little except to remind The Doctor of various plot points. I also had a problem with the mysterious Salyavin revealing himself for absolutely no reason at the end, to the benefit of no one but the bad guy. Animated jelly babies appear. The TARDIS goes exactly where everyone wants it to go for a change.

Oh, and the music is quite good for a change!

As a student of animation this reconstruction interests me. The animation of the human characters is stilted with fairly flat light and color, but the 2D stills of ships and backgrounds exceeds the live action sets and models. K-9 has never moved so fluidly in his CG form and even the alien Krarg are rendered in 3D to excellent effect. There’s a blog

There’s an online Doctor Who magazine called Nothing At The End of the Lane that takes a hefty, serious, thorough look at this reconstruction. I find this extremely interesting and if you watch Shada (which I recommend) you might look into it https://www.endofthelane.co.uk/Shada-Blog-1.html

Next: The Leisure Hive

Overdue Who Review: The Horns of Nimon

Season 17 1979-1980 (4 parts)

The declining Skonnan Empire is under control of the evil ‘god-like’ NIMON, which dwells in the power complex that is for some reason also a labyrinth. It communicates with the fabulously garbed Skonnan leader SOLDEED and promises armaments in exchange for a tribute of crystals and Anethian youngsters.

The Doctor and Romana come across a spaceship on its way to Skonnan, bringing the tribute. The ship has broken down and is stranded near a black hole, but the Time Lords fix it and make their way to Skonnan. 

When the Nimon summons more of its kind, we learn the Nimon travel via artificial black holes between planets, draining resources before moving on to conquer new worlds. Such will be the fate of Skonnos if the Nimons are not thwarted!

A notorious episode and for good reason. Bad script, dreadful pacing and the minotaurs, er, I mean – NIMONS do the usual Doctor Who laughably slow, pantomime lumbering that you see in most dudes in monster costumes. But HEY – they can shoot lasers from their horns!

Graham Crowden as Soldeed is reminiscent of Jonathan Pryce as the Master in the Doctor Who parody The Curse of Fatal Death, however…

Crowden does his best to take the award for Best Worst Death Captured on Video since that 1973 Turkish movie Karate Girl

Overall, a real stinker

Next: Shada!

Overdue Who Review: Nightmare of Eden

Season 17, 1979, 4 parts, Fourth Doctor (Tom Baker)

Due to poor navigation, two different space ships (a cruise ship and a trade ship) are interlocked, and The Doctor offers to help. However a zoologist on the cruise ship, recently back from the planet Eden, has a device that stores portions of planets on crystals and displays them as projections. A euphoric drug is making the rounds on the ship and monsters loosed from the Eden projection – which is less of a projection and more of a gateway – are the unwilling couriers of the drug running scheme between two baddies.

This one’s a bit of a slog. As is often the case, there’s a fair amount of technobabble workarounds to shore up the plot. The zoologist Tryst is played by an Australian actor who I think is trying to do a German accent? It’s all very weird and he reminds me of a high school teacher for some reason – at least that garnered my interest.

Next: The Horns of Nimon

Overdue Who Review: The Horn of Nimon

Season 17, 1979, 4 parts, Fourth Doctor (Tom Baker)

Stilted minotaur aliens with laser horns dupe an impotent militaristic planet (Skonnos) into letting them invade via a black hole. The Nimon emissary’s workshop is a maze that constantly reconfigures itself for a hand-wavy reason. The leader of Skonnos looks like Jonathan Price and wins the award for most outrageously hammy acting in the series… so far. Not recommended.

Next: Shada

Overdue Who Review: Creature from the Pit

Season 17, 1979, 4 parts, Fourth Doctor (Tom Baker)

The Doctor jumps into a pit where he meets a creature! It’s a scary alien but it’s really an ambassador from another planet, we learn, once it’s translator shield is retrieved by metal brigands (brigands who steal metal not brigands made of metal). Somehow the planet’s ruler Adastra put the alien down into her defunct mine after it landed and tried to broker a trade agreement (it wants chlorophyll for its people, Adastra’s planet is a jungle). After the Doctor, K9 and Romana II rescue the alien they have to deal with a neutron star heading for the planet.

Not a great episode/series but watchable. Has a few Douglas Adams flourishes in the dialogue. Adastra obviously comes from ‘ad astra’ meaning ‘to the stars.’ K9s voice is different. The aliens tentacle is very phallic and its ship, though described as an egg also reminds one of a bellend, to use the British vernacular. The astrologer trapped in the mines was my favourite character, I might steal him for an NPC in D&D.

Next: Nightmare of Eden

Overdue Who Review: City of Death

Season 17, 1979, 4 parts, Fourth Doctor (Tom Baker)

On Earth, 400 million years ago, an alien (Jagaroth) ship explodes. In modern day (1979) Paris, the Doctor and Romana experience time echoes because a nearby a scientist is working on a time machine for Count Scarlioni. After meeting with a punch-happy Inspector Duggan who is investigating art thieves, the Time Lords meet and confront Scarlioni, who reveals he is Scaroth, the only survivor of the exploding ship, and he intends to go back in time and prevent the accident that destroyed his race.

The Doctor discovers six Mona Lisa paintings in Scarlioni’s possession, so he travels back in time to visit his old friend Leonardo Da Vinci, but instead encounters Scaroth from that time period. Scaroth has commissioned Da Vinci to create multiple paintings to finance his time travel machine. In the climax, the Time Lords face off against Scaroth 400 MYA and Duggan punches him in the face, allowing the ship to explode and start the development of life on Earth.

Not a bad episode, though this episode spends a lot of time watching the Time Lords running back and forth on the streets of Paris, impeding the drama. The scientist really overdoes whatever accent he’s trying to pull off. I recognized Scarlioni as Donovan from Indiana Jones and the Last Crusade, known to some as Julian Glover, and a nice surprise cameo by John Cleese, which I just spoiled

Next up: The Creature from the Pit

Overdue Who Review: Destiny of the Daleks

Season 17, 1979, 4 parts, Fourth Doctor (Tom Baker)

Romana regenerates, despite being in perfect health, and she chooses various forms before settling on a doppelganger of Princess Astra (see previous episode). The TARDIS lands on Skaro, home of the daleks, but untold years since last we saw them, and their battle computer is in a stalemate with the battle computer of the robotic Movellans. The daleks last hope is to drill down to find and excavate the body of Davros, creator of the Daleks, who was believed to be dead. Naturally the daleks are using humans as slave labor. The Doctor and Roman run about and get separated multiple times, and The Doctor blinds a dalek by throwing his hat on its ocular extender. Meanhile the Movellans are likewise made inert by removing a very obvious and exposed item from their belt, which causes them to do a weird falling down dance.

Not a particularly fun or interesting episode, sadly. The only remarkable aspect is the interesting look of the Movellans, who are cast largely by non-white actors.

Next: City of Death